| Jerg (Jörg) Ratgeb | |
|---|---|
| Birth name | Jerg Ratgeb |
| Born | circa 1480 Schwäbisch Gmünd, Holy Roman Empire (now Germany) |
| Died | executed 1526 (aged ca. 46) prob. Pforzheim, Baden, Holy Roman Empire (now Germany) |
| Nationality | German |
| Field | Painting |
| Works |
Herrenberg altarpiece (1521) Frescos at Frankfurt Carmelite Monastery (1517) |
Jerg Ratgeb (also Jörg) (born circa 1480 in Schwäbisch Gmünd; died 1526 in Pforzheim) was a German painter and contemporary of Dürer.
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Around the turn of the 15th to 16th century, Ratgeb appears to have spent time in Italy, where he came in contact with Italian Renaissance art and with the recently developed use of perspective in painting. After returning to Germany, he settled in Heilbronn. In 1510, he painted the altar of Saint Barbara in the church of nearby Schwaigern.
From 1514 to 1517 he was in Frankfurt am Main, where he painted the walls of the refectory and cloister of the Karmeliterkloster (Carmelite Monastery). The paintings, of which only fragments survive, are the largest wall paintings known to the north of the Alps from that period. His most famous work is the Herrenberg Altarpiece, completed in 1521. It was originally painted for the Stiftskirche (abbey church) of Herrenberg. Today, it is on display in the Staatgalerie at Stuttgart. Ratgeb had developed a distinctive personal expressive style, visibly influenced by artists such as Albrecht Dürer, Matthias Grünewald and Hieronymus Bosch.
Because of his marriage with a serf of the Duke of Württemberg he lost most of his rights as a citizen of Heilbronn. He moved to Stuttgart, where he became a member of the city council. In that position, he negotiated with the rebelling farmers during the German Peasants' War in 1525. He became part of the military contingent requested by the rebels and was elected councillor and chancellor by the peasants. After the suppression of the rebellion, he was arrested, accused of high treason ("because of the Peasant War and on behalf of Duke Ulrich") and finally executed in Pforzheim in 1526, by being torn apart by four horses.
In the late 19th century, his work was rediscovered by Donner von Richter. Since then, it has been subject to controversial interpretations. His death has repeatedly tempted art historians, especially Wilhelm Fraenger, to read his surviving work as a political manifesto. Currently, such views are mostly rejected by scholarship.
In the 20th century, several historical novels were written about his life: Jörg Ratgeb by Georg Schwarz. Munich, 1937; Die Spur des namenlosen Malers (The trace of the nameless painter) by Marianne Bruns. Berlin, 1975; Anton Monzer: Die Spur der Bilder: ein biographischer Roman um den Maler Jörg Ratgeb. Bietigheim, 1999.
Since 1990, Ratgeb's life was the subject of a play called Jerg Ratgeb, Maler – Ein Künstlerdrama, performed at the open-air theatre of the Theater Lindenhof on the Ammerhof near Tübingen. The play has also been broadcast on TV.
In 2004, the artist Hans Kloss painted a large four-part altarpiece depicting Ratgeb's life and death. Originally on display at the Johanniskirche of Schwäbisch Gmünd, is has since been acquired by the Würth collection.